Pyrolator AUSLAND Vinyl Record has been added to your cart. Click here to edit your cart. Proceed to Checkout or Continue Shopping - or - Pyrolator AUSLAND. PYROLATOR - AUSLAND (CD). With booklet with lyrics and Japanese translation. Limited edition. Are you a private user? Order this item through our mailorder.

1. Pyrolator Ausland

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You can try using the. You may try to continue using the Dusty Groove website, and if you have any trouble placing your order online we suggest you make a list of the items you wish to buy order by phone at Monday through Friday, 10am–4pm, Central Time. We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages. Used Vinyl Grades Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a '+' or '-') the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item.

However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play. The following grading conditions apply to the vinyl component of an album or single.

Sealed This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as 'Sealed'. Near Mint - (minus). Black vinyl that may show a slight amount of dust or dirt.

Should still be very shiny under a light, even with slight amount of dust on surface. One or two small marks that would make an otherwise near perfect record slightly less so.

Repairing Larger Holes: Use a siding zip tool (available at home centers) to unlock the damaged siding at the bottom. Place foil tape on the back side of the siding to cover. Vinyl siding repair is something that can easily be done with the proper tools and know how. How to repair crack in vinyl siding. Feb 09, 2018 Inspect vinyl siding for cracks and tears. Small cracks can be repaired with a good epoxy and some touch up paint. Large cracks and rips are best resolved by putting in a new piece of siding. Vinyl siding is highly durable but susceptible to cracks in cold weather. (Image: stone and siding image by jimcox40 from Fotolia.com) Vinyl siding is a cheap.

These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.). May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played.

Very Good + (plus). Vinyl should be very clean, but can have less luster than near mint. Should still shine under a light, but one or two marks may show up when tilted. Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play 'near mint', but which will have some signs of use (although not major ones).

May have slight surface noise when played. Very Good. Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty. May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep.

Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more. This is clearly a copy that was played by someone a number of times, but which could also be a good 'play copy' for someone new. Very Good - (minus). Vinyl may be dirty, and can lack a fair amount of luster.

Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise. Good + (plus). Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.

May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout. Fair This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A 'Fair' record will have enough marks or significant flaws that it does not even qualify as 'Good', but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws.

An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as 'Fair', we will describe the extent of the condition in the comments. Used CD Grade We have only one grade for non-new CDs at Dusty Groove — 'Used CD'.

This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

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Just two years separate Pyrolator's 1979 debut Inland and the 1981 album Ausland. Nevertheless, they could hardly be more different from one another. If Inland reflects the industrial decay and politically-explosive atmosphere of 1977 and the years thereafter in the Federal Republic of Germany, then Ausland is a buoyant, playful and yet groundbreaking pop album.

Pyrolator Ausland

There had been some significant developments since 1979. The Ata Tak label, which Pyrolator had co-founded, had hit a rich vein of form with the debut album by Der Plan (Pyrolator was also a band member), Andreas Dorau's hit single 'Fred Vom Jupiter' and Holger Hiller's debut single. Pyrolator made his first trip to the USA, travelling the land from east to west over a period of three months. This all paved the way for the production of Ausland and pointed the way ahead for the Ata Tak label as well. On the West coast, Pyrolator met up with the Los Angeles Free Music Society (LAFMS), a collective in the process of exploring the frontiers between noise and industrial on the one hand and easy listening on the other.

It was the influence of such free spirits which opened up the Ata Tak world and that of Pyrolator to 'Schlager' and its American equivalent, easy listening. This mix of electronic elements and supposedly left-field pop music of times past runs through the Ata-Tak oeuvre and, with the benefit of hindsight, can be identified as the label's trademark. A further difference to Inland is that a long list of musicians participated in the Ausland recordings. In the USA, Pyrolator played together with designer Chris Lunch and his brother as support act for the likes of DNA and X. This moved Pyrolator to decide that he would not produce his next album alone, but with other musicians and technicians. With the help of the genius Werner Lambertz, inventor of 'Brontologik,' a forerunner of midi systems, and Ata Tak and Der Plan cohort Frank Fenstermacher, Pyrolator recorded the backing tracks on which other musicians would subsequently play their overdubs. The critics were in agreement when Ausland was released.

From the progressive Sounds to the rather more traditional Musikexpress, all the way to the British New Musical Express ( NME), the album met with universal praise. NME heralded Pyrolator as a 'great pioneer' and quite right, too. He is still a pioneer today. Vinyl contains 6 bonus tracks, mastered from the original tapes.